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monstruo
QUOTES
TRANSCRIPTS
RICHIE: You think I'm crazy.
SETH: That's not what I'm saying.
RICHIE: Then you think I'm stupid.
SETH: Richie, you're not hearing me.
RICHIE: I hear you just fine. You think that I can't get us out of this situation, like I'm some kind of amateur. I brought you into the profession.
SETH: Okay, look, will you just shut up for three seconds, please? We have a situation here. We need to think this through.
RICHIE: You got us into this situation.
SETH: Oh, I did? You're the one with the trigger finger that's got half the state of Texas looking for us. Kansas isn't far behind.
RICHIE: Hm. Well, let's just turn ourselves over to the authorities, then, Seth. Let's just bend on over. 'Cause apparently that's how we operate now. They teach you that in prison?
SETH: Okay, listen to me. All right? We are going to go walk into this store, pick up some provisions, and chill out until we get to Mexico, low profile. So, please do not talk to me about side roads or safe houses, or your bucktoothed buddies that are gonna hide us, because they are not. They'd probably make more money turning us over to the authorities than we'd ever pay them in return. It's just you and me now. We are it, all right? And, hey, brother that is a beautiful thing. We did it. We made history, you son of a bitch. The Gecko brothers are back. Now, come on.
SETH: Okay. Let's get some, uh, snacks. Drinks for the road. Some of those little sour worm things you like.
RICHIE: I don't like sour worms anymore.
SETH: What?
RICHIE: Sugar clouds my thinking.
SETH: Well, get whatever you want. You're a rich son of a bitch. $30 million richer.
RICHIE: You mean $20 million. We have to give 30% to Carlos, don't we?
SETH: That's money well spent. Trust me.
RICHIE: That's the best part. The dirt and the oils give it extra body. So I hear. Could I get you something to drink?
JESSIE: No. I got it.
RICHIE: It's funny. All these drinks have funny names. Beast, demon drink, lizard water. Whatever happened to the simple days? You know, R. C. Cola was a fancy name back in my day, you know? Do you remember that drink jolt? That was a great drink. [Smacks lips] I wish they still made that.
JESSIE: I'm only 21.
RICHIE: What's your name?
JESSIE: Jessie.
RICHIE: Like Jesse James?
JESSIE: I don't know. Does she spell it with an I-E?
SANTANICO: Tell you what I'd like to drink. You.
JESSIE: Well? How the hell's she spell it?
RICHIE: Don't you hate it when the refrigerator door gets all fogged up, and then you have to wait until the, uh, what do you call it? Fog... clears up?
JESSIE: Why not just open the door again?
RICHIE: 'Cause you let all the cold air out. [slams door closed]
HOSTAGE GIRL: You're crazy!
RICHIE: Don't call me that.
RICHIE: Twenty-one is pretty god damn young to be a psychiatrist. What is that? Four years of medical school... Another five years of residency. You Doogie Howser or something?
RICHIE: You shouldn't call people stuff! You know? It's rude.
SETH [to hostage girl]: Is this true?
RICHIE: Of course it's true, I just told you.
SETH: I'm talking to the little lady in pink, are you wearing pink?
RICHIE: No...
SETH: Then shut up.
RICHIE: I know you're trying to mess with my head, and it's not gonna work. There's nothing wrong with me, and I won't for a second let you make me think that there is. Are we clear? You play with me again, and I'm gonna play with you. And you won't understand the meaning of the term until you've been played with by me.
[Both breathing shakily]
SETH: Where are the girls?
RICHIE: They're not going anywhere.
SETH: Did you kill them?
RICHIE: No, Seth, I did not kill them. And what are you worried about killing a couple of skirts, anyways? Quick draw here is right. Nobody gets out of here alive.
SETH: Okay, Richard, just go watch your hostages, please.
RICHIE: I'm telling you. They wouldn't dare move a muscle.
SETH: Yeah, how do you know?
RICHIE: Because I asked 'em not to, and they listened.
RICHIE: What does it feel like?
EARL: What does what feel like?
RICHIE: Dying.
SETH: Now, my brother and I have got what you might want to call a well-coordinated evacuation on the way. So, I don't want anybody else to die.
RICHIE: Hey, he shot first.
SETH: Shut up, Richard.
RICHIE: They're spyin' on me.
SETH: What?
RICHIE: These girls were sent here to spy on me. You think that I don't know?
SETH: Richie. [Snaps fingers] Look at me. We got really good news. Carlos is sending somebody.
RICHIE: This Carlos guy he's from Mexico, right?
SETH: Yeah, so what?
RICHIE: So how's he gonna get here?
SETH: He's sending a chopper across the street.
RICHIE: Really?
SETH: This is a man with a very large operation, all right? He's got people all around.
RICHIE: Yeah? So do we these people, still here, alive, and in our way. What the hell are we doing, Seth?
SETH: [Bottles clinking] Just relax.
RICHIE: And what?
SETH: Have a cold one. Are you okay?
RICHIE: Yeah, I'm okay. Why wouldn't I be okay?
RICHIE: Can I please shoot him now?
SANTANICO: Something's coming, Richard. I'm the only one who can protect you.
RICHIE: From what?
[ richie spazzing out on the floor, after having the vision of demon things beating up on him ]
SETH: Richie. Jesus-- Richie! It's me. Hey! Hey! Hey! Hey, Richie. Richie, it's me. Come on.
[Grunts, pulls Richie up ]
SETH: It's just you and me, buddy. Come on, man. We're going to Mexico. Yeah? Come on.
RICHIE: [ Sighs ] It's about time. I could eat a horse.
SETH: Okay. [ Sighs ] Anything?
RICHIE: Just a beautiful morning in Texas. What is this?
SETH: Those are two chicken tacos. What? That's what you ordered, right?
RICHIE: No, I ordered chicken Tinga. [ Chuckles ] This is chicken Mole. Not to mention, you put Pico de Gallo on them. You do realize that Mole is the sauce, right? You don't sauce the sauce, Seth, unless you have no taste buds or you fail to apply yourself.
SETH: I'm just glad it's not beef jerky and squeeze cheese. So.
RICHIE: Five years is a pretty long stretch.
SETH: Mm-hmm.
RICHIE: What did you do with all that time, anyway?
SETH: You know You got to do the time or the time does you. So I told some stories, heard some stories, played dominos.
RICHIE: You had five years to improve yourself, and you played dominos. Is that why I risked my ass to bust you out of that prison transfer? This is what I'm talking about, Seth. You fail to apply yourself. If it had been me in there, I would have gotten a degree.
SETH: Really?
RICHIE: Maybe in engineering.
SETH: If it had been you in there, you would have got shivved on your first day on account of your piss-poor people skills.
RICHIE: I don't need people skills. I'm a prodigy.
SETH: Oh, really? Really? Because you pissed off everybody in the outfit. Nobody in K. C.'ll touch you. Last I heard, you're living in some shack in the woods near Emporia. I guess that's how a prodigy lives?
RICHIE: First of all, who are you hearing that from? That Courtney Love that you married for 10 seconds?
SETH: Hey! Leave her out of this!
RICHIE: And second of all, do not dismiss the importance of becoming self-sufficient. Look at the world around you, brother. It's coming apart.
SETH: Really? Oh, yeah. Yeah, doesn't look hunky-dory at all.
RICHIE: Okay, see, that's 'cause you've been trapped in an 8x10 cell. You can't even turn on the news these days without seeing some new catastrophe of Malthusian proportions.
SETH: Come on.
RICHIE: And the man who cannot build his own shelter or gut his own food is just courting disaster.
SETH: What is that?
RICHIE: Oh, this? This is my lucky blade. I won that in a knife-throwing contest.
SETH: This is a knife? Huh. Well, how do you open it? Is there a button?
RICHIE: I rest my case. So, they didn't have any Horchata?
SETH: Hor-what?
RICHIE: Oh, come on, man. Delicious Agua Fresca, made of rice, cinnamon, and milk?
SETH: Oh, Jesus Christ. Okay, what the hell is it with you and Mexican food all of a sudden? I mean, seriously, do you got some new broad in your life you're not telling me about? Is her name Carmen? Does she run a burrito truck? What?
RICHIE: Seth, all I'm saying is that you need to apply yourself.
SETH: Apply myself. Okay. Well, I'm about to apply my fist to your goddamn face, okay? Eat your food.
RICHIE: Just because I live in the woods doesn't mean that I can't plan a job anymore. You should have let me plan this one.
SETH: Richard, listen to me. Now, it is a beautiful day in the lone star state. So, why don't we just celebrate my freedom and the undeniable fact that history is being made right here, right now? The Gecko brothers ride again.
[ secret handshake. they get up, walk towards a bank ]
SETH: You got your balls on?
RICHIE: Screwed on tight.
SETH: Any son of a bitch messes with you--
RICHIE: You got my back.
SETH: Here's to getting rich and fat.
RICHIE: And dying in the arms of a beautiful woman. [ guns out, walk into bank, richie points one at a teller: ] Good morning, sweetheart.
RICHIE: That liquor store had to be one of our top-10 best exits ever. Maybe even top five. The way that booze caught on fire, it was like bananas flambe. Even topped the bank.
SETH: That liquor store was supposed to be a quick piss stop, not a goddamn Lee Marvin moment. And we're heading straight for the border. We got to get to El Rey before the cops get organized.
RICHIE: You keep talking about that place like it's the shit.
SETH: Well, that's 'cause it is. El Rey means the King, which is how we're gonna live.
RICHIE: If we ever make it there. The border's still an hour and a half away. By the time we get there, it'll be swarming with badges.
SETH: Well, then, what do you suggest, Einstein?
RICHIE: Lay low, ditch the heap, let the heat die down.
SETH: There is no dying down. You just jacked it up to high when you turned that place into "the wild bunch."
RICHIE: Lee Marvin wasn't in "the wild bunch." It was William Holden. And every job has its necessary casualties.
SETH: No, Richard. There was nothing necessary about what happened back there. There was nothing necessary about what happened in Abilene, either. What happened to you in that bank? You know, whenever I heard stories in the clink about you losing your edge, living out in the woods like grizzly Adams, I never really believed them. Nah, no way. No. My brother's not really a whack job.
RICHIE: Don't call me that.
SETH: Are you on drugs?
RICHIE: What?
SETH: You heard me. What, are you tweaking? PCP? Dope? What?
RICHIE: [ Scoffs ] You know I don't go for that shit.
SETH: Then what the hell is going on with you? You were supposed to crack the vault, but you had to step away. Why? You used to be razor sharp. That's why you were so good with the blade.
RICHIE: [ Chuckles ] You know, it's funny that you should mention that. Where the hell is my knife?
SETH: I got rid of it.
RICHIE: You did what?! I want it back.
SETH: Well, it's gone.
SANTANICO: Richie.
SETH: I swear to God, I couldn't tell if you wanted to rape those tellers or cut them to pieces.
SANTANICO: Come to me.
RICHIE: Something's coming.
SETH: Something's coming? What? What are you talking about?
RICHIE: Something bad, and you and the rest are just a bunch of sheep sleepwalking to the slaughter.
SETH: Richie? Richie. [ Banging ] Ah, shit.
RICHIE: You hear it, too?
SETH: It's the girl The bank teller. Remember?
RICHIE: If I hadn't have brought her, we would both be pink mist on the side of that bank in Abilene.
SETH: We do not take hostages for a reason. It gets messy, like Tucson.
RICHIE: That was Tacoma.
SETH: Whatever! We should have just left her at the door. But for some reason, you had to bring her along.
RICHIE: [ Banging ] Nothing happened at that bank.
SETH: Then why did you bring her to the bathroom?
RICHIE: 'Cause I had to piss, all right?
SETH: You and your goddamn rice milk. You came out of that John looking like Jack fucking Torrance.
RICHIE: I want my knife back.
SETH: Something happened in that bank, something that got you killing, and you haven't stopped since.
SANTANICO: You can't trust him.
SETH: Now, you said something's coming? What's coming, Richard? What does that mean?
SANTANICO: Get rid of him.
RICHIE: You want me to kill him?
SETH: Kill who? Jesus, Richie, who are you talking to? Richie.
RICHIE: Stop the car.
SETH: What? No. I'm not.
RICHIE: Do it now!
RICHIE: Did you pat down the women?
SETH: I did.
RICHIE: I always pat down the women.
SETH: Relax. I was a perfect gentleman.
RICHIE: Are you sure? 'Cause I've seen what time in the slammer can do to a man's proclivities, and we're not deviants, Seth.
SETH: Hmm.
RICHIE: We're bank robbers.
SETH: Will you please go bust the back door so we can have an easy exit?
SETH: What the hell are you doing?
RICHIE: It's horchata, man. I found it in the kitchen.
SETH: Goddamn whack job!
RICHIE: I'm not crazy.
RICHIE: What is this, a, uh, Lando 190? Got 6 wheels, o-99 dial, Nothing to sneer at.
MONICA: You're wasting your time.
SETH: Ah, you don't know Richie. This one time, we pulled a job on this rock star in New York, right? He shall remain nameless for statute-of-limitations reasons. Anyway, the safe was in Mick's studio, right? The guy has, like, an entire floor on Park Avenue. Well, he's in there 24/7, like, cutting tracks or whatever the hell he does. And he basically only ever leaves to go bang his girlfriend in the next room, all right? So Richie sneaks inside in this giant-ass amp box, right?
RICHIE: Shh!
SETH: Sorry, buddy. After, like, six hours, the dude finally leaves to go bang his girlfriend.
SANTANICO: Set me free. Set me free.
SETH: Turns out, the safe is on the other side of the wall from Mick's California King. This chick is loud. All right? I'm talking rock-'n'-roll stuff. It's nuts. And obviously, Richie here I mean, he needs quiet, right? He starts timing his work to their rhythm.
SANTANICO: Set me free.
SETH: We make off with a deuce and a half in watches. So, don't judge before you know.
SETH: Okay, I'm sorry. It's my bad. Just relax.
RICHIE: Don't talk to me like I'm a child!
SETH: Richie! Put that thing down! Why the hell would you pick that up?
RICHIE: I thought she wanted me to.
SETH: She?
RICHIE: What's happening to me?
SETH: We'll stop. All right? We'll stop, we'll, uh, we'll ditch the car, we'll get rid of the teller. And whatever's going on with you... We'll fix it. Okay? Now, put down the goddamn dog, and I'll get you one of those Kahuna burgers you like. Okay. Hey, you all right?
JAIL DUDE: Richie ain't nothing, And richie ain't been nothing for a real long time. I hear he can't even throw a knife no more Without cutting himself up. Must be a mess when he jerks off.
[...]
JAIL DUDE: One of these days, That retard brother of yours is gonna get you killed.
CARLOS: Peace of mind Is something your brother needs. He has not been well, has he?
SETH: Okay, what do you want from me exactly?
CARLOS: The world never gave you anything. All the world ever did was take. So what do you do in return?
SETH: Take it back.
RICHIE: Just get me a burger already. Oh, and some, uh... sweet potato fries.
RICHIE: You didn't even try and talk him down?
SETH: Richard, it's 30% to get into el rey. Eternity and bliss Drenched in the nectar of the noble blue agave.
RICHIE: Sounds like a freaking buñuel movie. The hell is this?
SETH: That is a budd boetticher picture. And it's all you're gonna get. All right, I need thing one and thing two In case I get into a scrape.
RICHIE: You're not going out there. That's crazy.
SETH: Got to ditch and switch, and we got to eat.
RICHIE: I can't do anything with Quickdraw's... shriveled member. [holding up earl's gun with disgust]
[ RICHIE WATCHING CARTOONS. LEANING OVER TO LOOK THROUGH A DOORWAY LIKE A FREAK. ]
RICHIE: Come on over here and sit.
MONICA: This couch is nice.
RICHIE: You're not safe there. [ pats spot on the bed ]
SETH [to vanessa]: The old man would get hammered, knock us around a little. Me, especially. I don't know what it is.. [...] son of a bitch had it out for me. I guess I drove him crazy. Richie spent a lot of time as a kid figuring out how to keep this guy off of me. ...And he was real good at it, 'til one day, he didn't have to anymore.
[ RICHIE LOSING HIS SHIT. BOUNCING HIS LEG, CLOSING HIS EYES, ROCKETING THE TV VOLUME, PACING LIKE CRAZY, GRABS OUT A DRAWING BOOK. ]
MONICA: Are you okay?
RICHIE: You know, I'm not just some dipshit triggerman who screams at bank tellers to open their drawers. I am a scientist, a master tactician. I am a lock artist.
MONICA: Oh, I-I know. I know that.
RICHIE: And this is what I do. When something doesn't make sense, this is what I do. I figure it out.
MONICA: You ready? [ richie makes a soft, pained sigh ] You okay?
RICHIE: Bet you don't use patron on your kids' scrapes. [small smile]
MONICA: [small smile from her too] Neosporin. The patron's for me.
SANTANICO: She wants to be free. She wants you.
RICHIE: Go sit down. Do it now!
Richie. Don't be afraid. Don't be nervous, baby. It's just us. It's just you And your little gordita.
RICHIE: You really want me? That is why you said that, isn't it?
MONICA: I didn't say anything.
SANTANICO: Set me free, richard. Set me free. Richie.
RICHIE: Who are you? Who are you really?
MONICA: I don't know what you're talking about. Please, I don't know what you want!
RICHIE: You're playing some kind of game with me. You think that I can't hear your voice inside me head, gordita?!
MONICA: What did you call me? No, no!
RICHIE: See that?! Games, games, games. You think that you can seduce me, but you can't.
MONICA: I didn't say anything!
SANTANICO: That's how I like it. She wants to be free. She wants you.
MONICA: Just tell me, how do you know? How did you know my name?! Gordita. Only my husband calls me that. He calls me that during sex! How could you possibly know that?! How did you know?!
RICHIE: I'm not afraid of you!
MONICA: Stop, please. Please, we were just role-playing.
RICHIE: What are you talking about?
MONICA: My husband and I, we've been having problems. We went to see a counselor, And she suggested role-playing. Then we went to a hotel just just like this one. He'd be the cop, and I'd be the high-price call girl. It cost me a fortune at frederick's. It was just something he wanted to do 'cause it reminded him Of some burt reynolds movie that he loves.
RICHIE: I didn't know any of that.
MONICA: Yes, but you did!
RICHIE: No, it's just noise, okay?! I hear things inside my head, and sometimes she talks to me!
MONICA: Who?!
RICHIE: I don't know! But if I listen and if I focus, she can show me things. I saw you on the bed, okay? I guess I guess you were telling your husband To call you "gordita."
MONICA: gordita. It means chubby, little girl. Leandro he calls me that 'cause he's he's always loved my curves.
RICHIE: It was "sharkey's machine."
MONICA: What?
RICHIE: The movie that your husband likes Is called "sharkey's machine." He was burt. You were rachel ward.
MONICA: I don't know how you did it, but it's like you saw me. It's like it's like you saw the real me.
RICHIE: I see too much.
RICHIE: I can see now. I can see.
SETH: Can you? And what is this? Because This doesn't look like anything that That I've ever seen, richard.
RICHIE: Don't "richard" me.
SETH: I'm gonna do a lot worse if you don't stop right now! This is not who we are. This is not who you are. Say it!
RICHIE: This isn't me.
SETH: Say it again. Say it!
RICHIE: It is me.
SETH: Do you realize what I have been through to get here? Huh? Do you? It's okay. This is all gonna be a memory when we get to el rey. It's gonna be blue agave Sunshine, and beaches. Just you and me, buddy. It's you and me.
RICHIE: Something happened to me.
SETH: Yes, Richard. Something is happening. Now, I have tried to understand it. I have. But I can't. And somehow, I don't think that you're gonna be able to explain that to me.
RICHIE: I could see inside her.
SETH: What the hell does that even mean?
RICHIE: I could see. I knew she was gonna hurt me. I knew it. It was in her eyes. And I don't know how to explain it right now, but I want to figure it out.
SETH: Well, you're not gonna figure it out here. All right? We cannot stay here.
RICHIE: You want to know what else Uncle Eddie says?
SETH: What?
RICHIE: It's how we're gonna get across, too.
SETH: What, Richard? What is it?
RICHIE: There's an old Indian saying he told me once. "Eyes find eyes." You see, our eyes are the source of our energy. You can always feel somebody's eyes on you, but what you're actually feeling is their energy directed right at you. Now, what happens if you close your eyes?
SETH: What?
RICHIE: You cut off your energy. If you can just shut down, not only will people not see you, but they'll see through you. The greatest cat burglar in the history of cat burglars taught him that.
SETH: Close our eyes. That's your plan? Close our eyes? Okay. I got to get out of here. All right, you, uh, brush up on your Spanish or something.
SETH: Let's get on the clock. Ten on the Timex.
KATE: Can I have one of those?
RICHIE: Didn't your daddy tell you never to do this?
KATE: Do what?
RICHIE: Talk to strangers.
KATE: My daddy says a lot of things.
RICHIE: Hmm. You on vacation or something?
KATE: Sorta.
RICHIE: Not much of a vacation, huh?
KATE: Oh, I don't know. Who needs the Bahamas when you have the dew drop inn?
[...]
RICHIE: You sure you're okay?
KATE: Do you ever feel like Your life and And everything in it is just Slowly turning upside down, like a Ship flipping over in the ocean?
RICHIE: You have no idea.
[...]
RICHIE: You're not inhaling.
KATE: I'm not a smoker.
RICHIE: You seem like a nice girl.
KATE: How would you know? I could be a terrible person.
RICHIE: I pick up on things.
KATE: Oh, yeah? What other kinds of things do you pick up on? Underage girls?
RICHIE: That would be despicable. You should pick that up.
KATE: It's my dad. I don't want to talk to him. Not right now, at least.
RICHIE: You have a problem with him.
KATE: I'm a teenager.
RICHIE: It's something deeper than that Something that really hurts. I saw you floating in the pool. It was like you were bleeding, like you were hurting inside. I really think that you should talk to him. It'll make you feel better.
KATE: Are you some kind of Traveling preacher or something? You're wearing that suit. You you look like a Bible salesman.
RICHIE: I don't sell bibles. But I think I see the truth. I see a lot of things.
KATE: Like what?
RICHIE: I see a girl hiding from her father.
KATE: Something Happened to me and my family. My dad keeps lying to me about it. I don't know how to talk to him. I don't know why I'm telling you this.
RICHIE: Sometimes it's easier to talk to strangers.
KATE: My name is Kate.
RICHIE: Oh, see? Now you've gone and ruined the whole thing. Richard. [ shakes her hand. seeeeees stuff about her. ] You think he killed her.
KATE: Excuse me?
RICHIE: Well, whoever she was She never had migraines.
KATE: Oh, my God.
RICHIE: Uh, sorry. I didn't mean to--
KATE: I don't know what kind of tricks you're playing on me.
[ kate opens the door to her room - ]
JACOB: Kate, run!
[ gasp, turns around, runs into richie blocking her in [
RICHIE: Was it something I said?
RICHIE: You like Bruce Lee.
SCOTT: Huh?
RICHIE: Bruce Lee. Do you like him?
SCOTT: Yeah.
RICHIE: So do I. You seen any of his early stuff?
SCOTT: Mm Yeah.
RICHIE: Really? Can you understand all the stuff that they're saying?
SCOTT: Um, k-kind of. Not not much.
RICHIE: You kind of look like Bruce Lee.
SCOTT: Why? 'Cause I'm Asian?
RICHIE: No, because you look like Bruce Lee. Just paid you a compliment.
[ ... ]
Okay, boys. Showtime.
SCOTT: Me first? You first?
RICHIE: You got something you want to say to me? I'm not gonna ask you twice.
SCOTT: I don't have anything to say to you.
RICHIE: You got nothing to say, huh? That's funny. I could have sworn you gave me an "f. u." look. You want to say "f. u.," Scott?
SCOTT: No.
RICHIE: Hmm. My mistake. Maybe it wasn't an "f. u." Look. Maybe it was an "I'm gonna make a move" look. Is that right? You ready to make a move, Scott? That was a question, not a statement. And I want an answer.
SCOTT: How could I? You have a gun.
RICHIE: That's right. I got a gun. And I know how to use it. Do you know how to use a gun, Scott?
SCOTT: No.
RICHIE: Ah, simplicity in itself. You see, you point at what you want to die. You pull the little trigger. Little bullet comes out here. Little bullet hits you right there. Then you don't look like Bruce Lee anymore.
SCOTT: I got it.
SETH: Hey!
RICHIE: You having fun, brother?
SETH: Jesus Christ, Richie. You know, a little "hey, it's me" before you fling the friggin' door open would go a long way in keeping you alive.
RICHIE: I moved the RV around back.
SETH: You what?!
RICHIE: I told you we had to.
SETH: Look, we got to get out of here before Ranger Ricardo makes his way in.
RICHIE: Did I call it, or did I call it? If I didn't move this beast--
SETH: All right, already. You're a genius.
RICHIE: Hey. Are we back, brother?
SETH: Yeah. Yeah, we're back.
RICHIE: I didn't mean to scare you at the pool earlier. I was telling you the truth.
KATE: I don't remember what you said. And I don't care.
RICHIE: Yes, you do. Sorry your world is upside down. I don't know, but I feel like all this is happening for a reason.
KATE: Can-- Can you really see things?
RICHIE: Only when I look.
SCOTT: That's a Taurus 9-millimeter, And a hair trigger.
RICHIE: So Bruce Lee does know his guns.
SCOTT: I'm just saying, we could hit a bump or a pothole or something.
RICHIE: Maybe I don't care if we hit a pothole. Maybe I'm hoping we hit 17 potholes. So I can empty this entire mag in that smartass mug of yours. Did you ever consider that, Tokyo Drift?
SCOTT: I'm Chinese. And so is Bruce Lee.
RICHIE: Okay, for a while now, I've been getting these signals, I guess you could call them. I didn't really know what to make of them until she came along.
SETH: She?
RICHIE: Yeah, she's the reason I know what Jacob and Scott really are. She's been calling me, Seth. She's been calling me to the other side.
SETH: Who?
RICHIE: I-I don't know her name. She's like a goddess or something. I-I usually only see her in reflections. I saw her in the refrigerator at the liquor store. And then in the safe at the bank, and then one time I saw her through the hole in my hand.
SETH: Wait a minute. You saw her in your hand?
RICHIE: Yeah. Right now I just saw her. You know, she's probably still watching. She's the one who's been calling me to Mexico.
[...]
RICHIE: That's why I know about them. She told me to look, Seth. So that's what I did.
SETH: What did you see?
RICHIE: Well You see the old man? He's really a demon. He's got fangs and claws. And slime in his teeth and shit. And that kid? Kid's got a tail. You remember Monica, the bank teller? She was gonna shoot me, Seth. And the goddess told me about that, too, and that's why I had to sacrifice her. You see, there's something bigger going on here. Do you understand what I'm saying to you? Do you?
SETH: Yeah. And-And, hey, listen. Richie, you're right.
RICHIE: What?
SETH: Something's been off about this whole thing, okay? I can sense it, too. The trouble is, I'm not as tuned into it as you are. I mean, come on, buddy. Cut me some slack here, okay? I can be a downright stubborn son of a bitch, when it comes to admitting I'm wrong. I-I guess it's just 'cause you're You're my brother, you know.
RICHIE: What?
SETH: I just I never want to admit that you're- That you're right, you know? But when you're right, you're right. You always have been the smarter one, Richard.
KATE: Can I ask you something? That stuff you said by the pool How did you know all that? About me, about my mom?
RICHIE: Well, like I said, I can see things.
KATE: Did you ever think it might be God? Trying to communicate with you?
RICHIE: It's not God.
KATE: Do you know the story of Moses?
RICHIE: I know the Chuck Heston version, which is the only one that counts.
KATE: Well, Moses didn't believe, either. Not until God spoke to him. God might make his message clearer if you pray. Close your eyes.
RICHIE: I don't think so.
KATE: I promise it won't hurt. Our lord, who art in heaven, hallowed be your name. Your kingdom come, your will be done on Earth, as it is in heaven. Give us this day our daily bread, and forgive us our debts as we also have forgiven our debtors. Lead us not into temptation But deliver us from evil.
[...]
SCOTT: Kate, grab his gun.
RICHIE: Don't do it, Kate. You're not like them.
SCOTT: Just do it.
SETH: I'll put one in your pretty head. Before you ever touch the grip, sweetheart.
[...]
RICHIE: I told you, Seth, I told you! Just shoot this kid in the head.
SETH: Richie. Richie, relax. I got this.
RICHIE: What a fantastic idea, let's bring another hostage on board.
SETH: You're not helping. What the hell were you thinking?
KATE: People are getting angry out there. Police are gonna notice.
SETH: Really? Well, thank you for stating the obvious.
RICHIE: Hey, don't yell at her. It's not her fault.
RICHIE: You said that your life was upside down... Well, maybe this is where you're really supposed to be.
KATE: But how... How could I belong here? I mean, look at this place.
RICHIE: You're not looking close enough. Under the surface, it's really beautiful.
KATE: What does it feel like?
RICHIE: What does what feel like?
KATE: To know that you... to know that you belong, really?
RICHIE: It feels like home.
KATE: Please. Please let us go. Just let us go. [kisses him] Set me free.
RICHIE: Why did you say that?
[a beat, he kisses her.]
RICHIE: You were in charge, which you reminded me of every five seconds.
SETH: 36 jobs.
RICHIE: 35! You did the last one without me, big papa, and it got you tossed in the can.
SETH: Yeah, where I still put this together, and I dragged you out of your little unabomber shack. You remember that? Or was that part of the act, too?
RICHIE: Okay. What is this act that you keep talking about?
SETH: Greatest long con in history, I guess. You pulled it on me. And I consider myself to be the Picasso of bullshit artists. But you you painted a goddamn Rivera mural.
RICHIE: You're so up your own ass right now.
SETH: Yeah, well, I was an easy target.
RICHIE: An easy target.
SETH: In a million years, I never could have seen this coming.
RICHIE: Yeah, why's that?
SETH: Because I'm your brother, Richard. I'm your brother.
RICHIE: You know, you're right. We have a sacred bond.
SETH: Yeah, real sacred. Not to you. Wave $20 million in front of your face, all that goes away, right?
RICHIE: Don't you mean $16 million?
SETH: Take is $20 mil.
RICHIE: Did you think that I wasn't gonna find out about the missing $4 million?
SETH: What are you talking about?
RICHIE: Okay. Let's imagine the most expensive pineapple burger ever made. 'Cause that is what you went to the Big Kahuna Burger to buy.
[ ... ]
RICHIE: Who'd you really give the money to, Seth? I can't hear you, brother.
SETH: Okay, look. Whatever you think that you know about that $4 million--
RICHIE: Do you think that I don't know that the money is for Vanessa? Do you want to talk about the long con and the master grift? You have to take the prize, Seth. What were you two lovebirds gonna do? Go buy that stupid bar in the Keys - that she's always squawking about?
SETH: You moron. Do you honestly think that I would be here if I was gonna bail on you? Does that make sense? It was the opposite. I paid her to stay away. She was supposed to cross with us. You remember that?
RICHIE: Yeah.
SETH: But, no, she didn't. Why? 'Cause I told her I had to take you to El Rey.
RICHIE: Okay, yeah. Here we go.
SETH: Yeah, I gave it up for you. For you. You understand me? I said goodbye to my only chance at any kind of any sane, normal existence. And for what? Hmm? So you could get a seat at the table with these goons. 'Cause let's face it. That's all they really are, right? Just another crew, another version of Bernardo and the Sharks.
RICHIE: The Sharks were Puerto Rican, you idiot.
SETH: Was it that piece of ass on stage then? Oh. That's it, isn't it? So that's what she taught you to do with your little knife. Back-stab.
RICHIE: I'm getting real sick of you calling me a traitor.
SETH: You know, my entire life, I have felt like I've owed you something because you pulled me out of that fire when we were kids. I'm getting real sick of paying vig on that.
RICHIE: So what are you gonna do about it?
SETH: As soon as we're out of here, you and me, we're done.
RICHIE: You made me kill that woman. She had a family-- And you made me cut her eyes out.
SANTANICO [to richie]: But it's never been easy for you, has it? Simple, human connection.
RICHIE: I can't. I can't leave Seth. I'm all he's got. He's lost without me.
RICHIE: Sorry, brother. Things are about to get a little weird.
RICHIE: It's a labyrinth. It's like a maze, it's just a little different on the-
SETH: Yes, I know what a labyrinth is, Richard, thank you. It's like the hedges in The Shining.
RICHIE: This place can throw whatever it wants at us and it doesn't matter. You know why? 'Cause the Gecko brothers ride again.
RICHIE: I'm not her slave.
SETH: Okay, then what are you exactly?
RICHIE: I'm your brother.
RICHIE: He wasn't a culebra, alright.
SETH: No. No, he definitely was not. You missed a spot.
RICHIE: Yeah, I couldn't help it.
SETH: Yeah?
RICHIE: Something came over me. I had to.
SETH: You had to what? Had to, what, feed?
RICHIE: Yeah.
SETH: You couldn't control yourself, huh?
RICHIE: No, I couldn't! [ cracking ] [ groaning ]
SETH: What?
RICHIE: [ groans, morphs into Pritchard ]
SETH: Jesus christ! What the hell?
RICHIE: What?
SETH: Your f--
RICHIE: Whoa. I'm Pritchard?
SETH: [ horns honking ] shit-- Yeah, all right. All right!
RICHIE: [ groaning, turns back ]
SETH: How the hell did you do that?
RICHIE: I don't know. But I could feel it in my body. It's like it was tearing me apart.
RICHIE: Because if I was working for you tonight, I would have been smart enough to check a thief's bag for a hidden compartment. And if Lord Humongous had done his job correctly, you wouldn't be in danger of a sex change yourself.
RAY GECKO: You really think you can save Richard? Well, you can't. Your mother knew what he was just like I know. He was a bad seed.
SETH: What's that smell?
RAY: [ groans ] Lighter fluid. Same thing you smelled on your brother that night.
SETH: No. Richie saved me from that fire.
RAY: Aah! Right after he set it.
SETH: You're a liar.
RAY: I was a lot of things, Seth. But liar wasn't one of them. Richie betrayed his own blood. You really gonna let him get away with that?
SETH: Well, maybe I'll let it show me the truth from inside your screwed-up head.
RICHIE: What are you talking about?
SETH: You killed dad? He didn't burn up on the couch. You doused him with lighter fluid while he was drunk. Is it true? Is it?
RICHIE: Yes. [beat] Now will you let me get back to work?
SETH: Just get it open.
SETH: Richie, what are you doing? Jesus Christ, Richie! What are you--
RICHIE: The serpent is filled with her blood. She's inside me now, Seth. It's all right. She prepared me for this. I knew that it was coming.
SETH: Well, I didn't.
RICHIE: That's our way to the top. You still got that $30 mill strapped to yourself? It's time to settle up.
SETH: I don't know who you are anymore. I don't know what you are.
RICHIE: I guess I'm just the guy who killed dad.
NARCISO: I thought you were leaving.
SETH: It's one thing to ditch your brother, another to leave him outnumbered in a fight.
RICHIE: Who you callin' a criminal, asshole?
SANTANICO [to seth]: Richard killed your father for a reason. Forgive him.
RICHIE [to carlos]: You got dumped, bro. Get over it.
SETH: You guys look like you're about to get into an underwear-only pillow fight. Carlito, I got to tell you, the sun cannot come up fast enough on this day.
CARLOS: Oh, you don't want to see the sun come up on your brother.
SETH: As long as he stops screwing this up, maybe. You know, it's funny this whole thing kind of reminds me of this job that we pulled about seven years ago in Cheyenne. Yeah, it didn't just go sideways. It went three ways. We pulled it off, though, didn't we, brother? You remember Cheyenne, don't you?
NARCISO: I don't give a shit about your past glories. Let's get this over with.
SETH: Soon as you uncuff him, we'll talk.
CARLOS: Let's see it.
RICHIE: Don't go near him, Carlos.
CARLOS: Excuse me?
RICHIE: He's gonna get me killed. He's gonna try something like Phoenix six years ago. That one was so crazy, you don't even want to know about it.
SETH: It wasn't as crazy as Cheyenne.
RICHIE: Forget about Cheyenne!
NARCISO: Enough! Where are the bearer bonds?
SETH: I can't believe you sold us out to get in bed with these freaks.
RICHIE: Not my fault you can't see the big picture, brother.
SETH: Trust me I'm learning, fast!
RICHIE: You don't learn. You can't learn. You're never gonna be more than a small-time hood, - just like dad.
CARLOS: Gentlemen, please!
SETH: Let him go. I'll hand it over. What the hell do you care about dad, anyway, you little shit? You killed him!
RICHIE: He beat you on the daily, and you give him a pass and not me?
SETH: He's blood.
RICHIE: You asshole! [tackles and bites him]
RICHIE: They didn't know what hit 'em.
SETH: Yeah, I know the feeling.
RICHIE: Oh, relax. You're not gonna turn. I didn't pump any venom into you.
SETH: Look, I had a plan, Richard. Cheyenne? Why couldn't you just trust me?
RICHIE: Because in Cheyenne, we had an argument. It needed to be more than that. In Phoenix, we let the pricks think that I killed you.
SETH: Well, in Phoenix, you weren't a goddamn succubus, were you?
RICHIE: You taste like shit, by the way.
RICHIE: Maybe he doesn't have the stones.
SANTANICO: You have my word.
SETH: [in spanish] Go with God
RICHIE: I'm cool if you're cool.
SETH: Well, if that don't get me religion, I don't know what will.
RICHIE: [ puts hand into sunlight, it starts burning ]
SANTANICO: You can't walk in the sun. Not yet.
RICHIE: You said you were always just trying to save me, Seth. You did. Now you have to let me go.
SETH: Buddy, we just pulled it off out there. There's no reason we can't We can't keep putting down scores.
RICHIE: It's not just about the score.
SETH: It's always about the score.
RICHIE: If it was, you would've just taken the money.
SANTANICO: We gotta go.
RICHIE: You, uh. You ever find that beach and blue agave, you let me know. Maybe I'll come join you.
SETH: Don't bother.
Canon Pop Culture/Historical Figure References;
THE SHINING (1980);
- ▹ "Yes, I know what a labyrinth is, Richard, thank you. It's like the hedges in The Shining." - Seth, ep 9
"You came out of that John looking like Jack fucking Torrance" - Seth, ep 2 - ▹ Actors: Jack Nicholson (Jack Torrance), Shelly Duvall (Wendy Torrance).
- ▹ Notes: Directed by Stanley Kubrick, written by Stephen King & Stanley Kubrick. Synopsis: A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
DOOGIE HOWSER, M.D. (1989-1993);
- ▹ "You Doogie Howser or something?" - Richie, ep 1
- ▹ Actors: Neil Patrick Harris (Dr. Doogie Howser), Maz Casella (Vinnie Delpino).
- ▹ Notes: Synopsis - A teenaged genius deals with the usual problems of growing up: having a girlfriend, going to parties, hanging out with his best friend, all this on top of being a licensed physician in a difficult residency program.
The Godfather -
"Sonny doesn't betray Micheal, Seth, that was Fredo." - Richie, ep 7
WEST SIDE STORY -
"Another version of Bernardo and the Sharks." - Seth "The Sharks were Puerto Rican, you idiot." - Richie, ep 7\
POPEYE - BLUTO (1933)
"Not so fast, Bluto." - Richie, ep 9
THE WILD BUNCH
"Lee Marivn wasn't in The Wild Bunch. It's William Holden."
THE LIFE AND TIMES OF GRIZZLY ADAMS
"Living out in the woods, like Grizzly Adams" - Seth, ep 2
THE LONE RANGER
"And you truly become the Lone Ranger." - Seth, ep 1
LUIS BUñUEL PORTOLéS
S: Richard, it's 30% to get into el rey. Eternity and bliss Drenched in the nectar of the noble blue agave.
R: Sounds like a freaking Buñuel movie. - ep 3
BUDD BOETTICHER
"That is a budd boetticher picture. And it's all you're gonna get." - Seth, ep 3
RANGER RICARDO
Look, we got to get out of here before Ranger Ricardo makes his way in.
KHAN
"Okay, okay, easy there, Khan." - Seth, ep 5
TOKYO DRIFT
"Did you ever consider that, Tokyo Drift?" - Richie, ed 5
CLUB MED
"Place makes Club Med look like Haiti."
CHUCK HESTON - MOSES
"Do you know the story of Moses?
I know the Chuck Heston version, which is the only one that counts." - Kate Richie, ep 5
INDIANA JONES
"Indy with a cock gun" - Seth, ep 7/8
-lee marvin
-william holden
-courtney love (richie referencing vanessa)
Other Heist/Western/Gangster/Shoot em up Classics That Richie Probably Knows;
Rififi (original title: du rififi chez les hommes) (1955)
The Killing (1956)
Dog Day Afternoon (1975)
The First Great Train Robbery (1979)
Thief (1981)
Resevoir Dogs (1992)
Heat (1995)
The Usual Suspects (1995)
Snatch. (2000)
The Italian Job (2003)
The Inside Man (2006)
Historical Thief/Cowboy/Gangster Figures
Butch Cassidy & The Sundance Kid
John Dillinger
Al Capone
Jesse James (canon reference)
Canon Geckobros Slang: words & phrases;
"You got your balls on?" "Screwed on tight.": Meaning or origin or context - did they make it up, did it come from a movie, etc.
Capo(s): a name for a captain in the mafia family, the family will consist of many captains and the boss which is a capo crimini. "Hookers feed the pimps, pimps feed the capos, capos feed the bosses, i get it." - Seth
Big Papa:
The Can: jail
Rivera Mural:
Master Grift:
Paying Vig:
Boxman:
Skirts:
Pony-up:
Quickdraw: refering to a person
'Earl here buys the farm': Earl dies.
Badges: police "It'll be swarming with badges."
The clink: jail
The slammer: jail
Pigs: police/authorities
THE SECRET HANDSHAKE:
Typical Thief/Gangster/Cowboy Slang Richie Might Use;
